Monday, 11 April 2016
Friday, 18 March 2016
I often have this one particular thought and it usually occurs to me in the checkout of the Lidl around the corner from my office, and the thought kind of goes something like: these fellow shoppers, placing on the checkout conveyer belt all their canned goods, detergent, toilet paper and so on, bright and shiny in plastics and packaging, what are their sex lives made of, how do their bodies appear naked, fornicating, rubbing on top of another body and in turn being rubbed? And this thought leads on to another, somehow logically connected question: what do their bodies smell like, the crevices, the rolls of flesh out of sight thanks to their stone-washed denims, their ersatz tracksuits?
Tuesday, 15 March 2016
Monday, 29 February 2016
Friday, 22 January 2016
Monday, 21 December 2015
Oslo, Norway, the second in Holten’s Ragnarok trilogy that began with the widely acclaimed The Readymades, cleverly gathers romance, cartography and Nordic myth in a meta-fictional retelling or interpretation of the streets of the eponymous capital. A self-aware tale of love and the fictions that are told in the process of it, the novel will be enjoyed by readers of Bolaño, Cortázar and Calvino and should be attempted by others... Continue reading here.
Sunday, 20 December 2015
Wednesday, 18 November 2015
Tuesday, 18 August 2015
#ASoftTragedy #latergram #kinderhookcaracas #projectspacefestival #OlgaBalema #PatrickBurkhardt #PieterJanGrandry #EthanHayesChute #JohnHolten #MirakJamal #ValentinaKarga #HanneLippard #DafnaMaimon #MichelleDiMenna #AntoineRenard #SantiagoTaccetti #ClémencedeLaTourduPin #AlexTurgeon #ElviaWilk pict by @ehc2000
A photo posted by Lorenzo Sandoval (@lorenzo__sandoval) on
Wednesday, 15 April 2015
Alongside the reading will be a screening of ‘Blips’, a series of pseudo commercials Holten produced and screened over the last two years. These have been screened individually in Thyssen-Bornemisza Art Contemporary, Vienna, (Blip # 4); Extrapool, Nijmegan (Blip#3); Team Titanic, Berlin (Blip # 2) and Galerie Plan B, Berlin (Blip# 1). These will be slowed down to approach the length of the reading, a mixture of footage from Oslo and extracts from the novel, they counteract and draw out what the audience may or may not hear depending on the length they listen.
Oslo, Norway takes the form of a literary atlas, telling its stories over 39 sections titled after streets and places around Oslo and its environs. These are included at the beginning of each of the three sections of the book and the original drawings will also be on display, along with other totem like iterations of the book. In line with Holten’s practice, all aspects of the book and its creation are presented over the course of the performance and exhibition heralding, as does the form of the novel, a new mode of reading, one that is inherently based on life online and how the majority of textual matter is now read, bringing that into an offline, durational and haptic literary experience.
John Holten is a writer and artist as well as a publisher. Born in 1984 in Ireland, he studied at University College Dublin and the Sorbonne-Paris IV before obtaining an MPhil from Trinity College Dublin. In 2011 he published his first novel The Readymades to great acclaim, and the art group he created in the novel (with Darko Dragičević), The LGB Group, enjoyed exhibitions in many cities as well as being included in The Armory Show, New York in 2012. Known for his collaborative projects, Holten has written for many artists such as Natalie Czech, Mahony, Darri Lorenzen and Jani Ruscica, often working closely with them to produce immersive or participatory texts. His work has appeared in many international contemporary art settings such as Malmö konsthall, The White Building London, David Zwirner Gallery New York (with Aengus Woods), NGBK and Agora, Berlin and Villa Romana, Florence amongst others. Having co-founded Broken Dimanche Press as an international art press in 2009, he has overseen as Editor-In-Chief more than thirty publications and attendant exhibitions, projects and public events. In 2012 he travelled to the Congo with artist Richard Mosse for whom he edited A Supplement to The Enclave as part of Mosse’s 2014 Deutsche Börse Photography Prize winning exhibition in London. In 2011 he received a Literature Bursary from the Arts Council of Ireland.